I've started another series of composites. Where my Selected People are made up of many figures over time, these new portraits are composites of many extreme close ups of a single person's face woven into a single (very large) image. The other inversion (I'm big on inversions) is that these pictures look very much unlike their sitters. They are closely observed portraits that tell nothing of personality, mood, etc. They do tell you what the above person's nose, eyes, and mouth look like, however.
My art historical inspiration for this is Edouard Manet, who sometimes fooled around with focus, blurring paint here and there in confounding ways that have little do with optical correctness. Click on the image to enlarge it, and you might be able to see what I mean.