Friday, February 10, 2012

 I've always included a little forced perspective in my work. That's the common photo hobbyist's trick of mixing near and far and letting the camera flatten out the image. The result is usually a joke about scale, as above. But photographers and artists have used it in other ways, as below.

John Pfahl

Esther Stocker

George Rousse

Pelle Cass (me!)

And here's a recent image of mine that I did at a recent residency. One of the notable features of the examples above, excepting the snapshot of the helicopter, is the tidiness and precision of the images. I wanted to do something shaggier, I guess. Something where you can see how it's done and see some mistakes, but the trick still works. I've also inverted a couple of other things: the margins contain my alterations, and I've used 3-D materials to make them. Click images to enlarge.

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